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NEWS
0306
A Spoonful of Rhythm
Rock'n blues sweetheart
Lil' Fi
wound up her
Blue Mountains festival gigs with a seamless lesson in how
to transport a room full of ordinary folks to a place
where the only currency is grooves.
Nikki believes Lil' Fi's shows should be paid
by Medicare - even the grouchiest cynics leave the concert feeling
like a million bucks. Saves the community a fortune in
anti-depressants
.
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NEWS
0105
Acoustic Beats
Nikki's acoustic remix for urban beat outfit
Ouvi Melhor caught the attention of
radio programmers with her dissonant fingerstyle guitar
figures working eerily well alongside the deep groove beats that characterize this deadly young band.
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NEWS
0404
The Circle Game - Springwood Folk
As a teenager in the 1960's, Nikki played her earliest gigs in tiny folk clubs and coffeehouses. Now, thirtysomething years and countless gigs later, and in training for her Seniors Card, Nikki was invited to appear as guest artist at Springwood Acoustic Music Club.
Happily, some things stay the same - a tiny folk club, a keenly attentive bunch of romantics and dreamers for an audience and a lovely opportunity for Nikki to perform her material with the kind of subtlety and attention to detail which is sometimes unattainable in larger and noisier concert settings - support your local folk club.
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NEWS
0304
In Concert
Thanks to highly focused festival directors Al Ward and Bob Charter, and a delightfully deranged volunteer army, Blue Mountains Festival of Folk Roots and Blues lived up to its reputation as one of Australia's premier acoustic music events.
Nikki's three concerts were well attended and very warmly received - wry smiles and happy feet all round. Go figure upshot of the weekend for Nikki? - most requested song was the decidedly unsingalongable post creationist mini-epic on the theme of "are belief sysrems a health hazard beyond their use by date?" - The 8th Day (see songs page). Is this cause for hope? - definitely.
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NEWS
0903
More Luxury Living: troglodytes
Immensely pleasant gig - private party - ten dangerously mature women celebrating a 50th birthday - the venue? - a giant cave high in the mountains hidden halfway down a cliff in a remote ravine.
The Hatters cave at Bell is an ancient meeting place which has been set up with facilities to enable groups of romantic troglodytes to use the cave in much the same way as it has been used for thousands of years - hanging round a fire telling tall stories, going off to sleep with the massive darkness and sub audible didgeridoo drone of the wilderness just beyond the firelight. A rare opportunity for Nikki to play genuine campfire tunes with a genuine campfire and cheerful companions (and stunning acoustics) - more luxury living.
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NEWS
0603
Who's for Lunch
Winter Magic Festival in Katoomba - Nikki's performing on an outdoor stage - it's mid winter a kilometre above sea level - the crowd are really receptive - the more risky the music, the better - pleasant gig but not without it's dangers.
Near the stage there are hundreds of hungry punters lined up at the various food stalls - it's cold, they're hungry - the vegetarians look pretty calm - the carnivores lined up at the sausage sizzle are restless - they're constantly turning their hungry gaze towards the stage - maybe boredom, maybe something more sinister - alone on stage, Nikki feels uneasy, vulnerable, kind of meaty and tender - who's for
lunch.
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NEWS
0203
Make Love, Not Deja Vu
Featuring Nikki's tricksy
fingerstyle guitar, a military bass drum and an apparently
not well worn enough cliche, Nikki's new tune, 'Make Love Not War' had its first live outing at
Katoomba Peace March in December before a surprisingly
mixed crowd of concerned citizens.
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NEWS 0402
What the Hell Was That All
About
When Nikki found herself on the same
bill with Aussie fingerstyle guitar legend, Al Ward (who's reportedly recording
new songs with China plate Dan Johnson), along
with big time, two-steppin' dance hall twelve
stringer, Guy Davis(see NEWS0302), ...did
she pack up her skinny looking red guitar and head
for the hills?
Hell no, she did what
she always does - by the time Nikki has hit the
stage, played her weirdo, lefty songs at double
speed, taken a bow and bolted, the audience is
saying "what the hell was that all
about?"
Missing the
point by a statistically significant margin,
Nikki (rightly or wrongly) claims the "Big Finish"
is over rated - audiences can get "Big Finish"
fatigue if everyone gives 'em the "Big
Finish".
Nikki claims her current work
promulgates the "To Be Continued" finish, where
the audience is given the option of delaying the
"Big Finish" until ...er.. later. She promises
to report back on this.
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NEWS 0302
Luxury
Living.
Blue Mountains Roots Music
Festival was drenched in an intoxicating brew
of sublime musics.
Nikki managed to catch a few shows
including New York blues man, Guy
Davis, laying down some powerful country
blues on his big Stella guitar alongside a beautiful
baritone voice that moves seamlessly from melody
to spoken word and back again.
Aussie blues demon, Damon Davies, was cool
as - jokesy stage antics counterpointing a
seriously stylish fingerstyle blues and slide
show.
Plus a huge serve of retro from the
metro - home of the happy feet, Adelaide's
rockabilly royalty, "The
Satellites", destroyed the dance floor with
singular grace and authority.
When a band composes and plays music
that's this much fun for dancing & looks so
groovy doing it, it's possible to overlook the fact
that it takes truck loads of genuine hard core
talent to make it happen.
Satellites vocalist, the strikingly
beautiful Belinda Hartman swings a rockin'
rhythm guitar the whole time while delivering up
vocals with the kind of intriguing mix of fragility
and toughness that puts her up with
the cream of Australia's music women.
So much music, so little time. Luxury
living indeed.
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NEWS 0102
Major's Creek
Festival.
Major's Creek Folk
Festival distinguished itself again in Nov.
2001 as a genuine feel good country hoedown. Heaps
of fine performances, laid back rural setting and a
couple of thousand cheerful idiots emerging
from their tents each morning with no greater
ambition than to lap up the ambience until they
could lap no more.
Nikki's performance ..er.. sermon in
the old stone church on Sunday morning milked every
ounce of resonance from the delicious natural
acoustics of the venue - playing for a full house,
er... congregation, the usually irredeemably
secular songstress managed to make even her
trashiest post suburban parables take on the aura of
something resembling genuine piety.
In a space purpose built for
contemplation, chalk up another triumph for
architecture over artifice.
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NEWS 0801
Historical implications.
Nikki's outdoor performance at the
solstice Winter Magic Festival in the Blue Mountains
was more than usually surreal.
It wasn't the thousands of partying
adults and children disguised as fairies and frost
sprites and all, nor the cheerful women dancing in
the sun on the rooftop, but the presence of police
with sniffer dogs in the crowd that really put the
chilli on the salsa.
Babalu percussionist, John Stuart
provided rock solid support on congas.
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NEWS 0501
Next of Skin goes green (not
gold)
The title track from Nikki's 'Next of Skin' has
been included on a compilation CD called 'Greensongs' - a collection of
Australian music on the themes of environment,
social justice & human rights being released by
the Australian Greens as a fundraiser and awareness
raiser.
Other artists appearing on the disc include Kev
Carmody, Deborah Conway, Hottentot Party, Shane
Howard, Ruby Hunter, Vince Jones, Jeannie Lewis,
Neil Murray, Archie Roach, Margaret RoadKnight, Judy
Small, Tiddas, Warumpi Band & more.
Rockers chill
Phil & Pat from Oz rockmonsters 'Grinspoon' ditched the
earplugs to check out Nikki's Sydney Acoustica gig @
The Iguana Lounge in March. A jolly(!) time was had
by all.
Past perfect
Nikki is currently in rehearsal for her CD
release schedule. She claims someone else must've
played the guitar parts on her new album 'cause she
sure as hell can't work out how she did it! The live
show is sounding pretty tasty though...
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©2001,2002:Shockwave
Studio
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